The House of Mirth2000
About
- Runtime
- 2 hours 20 minutes
- Language
- English
- Tagline
- When a woman has the beauty men admire and women envy... it is wise to tread carefully.
- Overview
In early 20th century New York City, an impoverished socialite desperately seeks a suitable husband as she gradually finds herself betrayed by her friends and exiled from high society.
- Genres
- Drama, Romance
- Released
- September 23, 2000
- Budget
- $10,000,000
- Revenue
- $5,164,404
- Production
- Granada Productions
- Arts Council of England
- Film4 Productions
- The Scottish Arts Council
- The Glasgow Film Fund
- Three Rivers Production
- Showtime
Credits
Directing
- Terence DaviesDirector
- Pat RambautScript Supervisor
- Nanna Mailand-MercadoThird Assistant Director
- Guy TraversFirst Assistant Director
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- William BookerSecond Assistant Director
- Sarah LeeSecond Unit Director
Writing
- Edith WhartonNovel
- Terence DaviesScreenplay
Art
- Diane DancklefsenArt Direction
- Danny SumsionConstruction Manager
- Jo GraysmarkArt Direction
- Tim MonroeAssistant Art Director
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- Ursula ClearyAssistant Art Director
- Alan BaileyProperty Master
- Bobby GeePainter
- Don TaylorProduction Design
- John BushSet Decoration
Camera
- Remi AdefarasinDirector of Photography
- John ArnoldKey Grip
- Stuart BuntingAdditional Grip
- Gordon McMillanAssistant Camera
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- Mark MilsomeFocus Puller
- Harry BowersClapper Loader
- Chris PlevinSecond Unit Director of Photography
- Jaap BuitendijkStill Photographer
Costume & Make-Up
- Eva Marieges MooreMakeup & Hair
- Kate BurnettWardrobe Assistant
- Guy SperanzaWardrobe Assistant
- Adrian RatleyWardrobe Assistant
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- Tom HornsbyWardrobe Assistant
- Anna LauWardrobe Coordinator
- Ann Taylor CowanWardrobe Supervisor
- Paul HuntleyWigmaker
- Eva Marieges MooreHairstylist
- Renate LeuschnerWigmaker
- Monica HoweCostume Design
- Meg SpeirsMakeup & Hair
- Dianne MillarMakeup & Hair
- Christine PowersMakeup & Hair
- Jan Harrison ShellMakeup & Hair
Crew
- Rosalind NashashibiStand In
- Sarah LeePost Production Supervisor
- Richard HassallCarpenter
- Michael SolingerPost Production Consulting
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- Chris PatonUnit Publicist
- Jeff DerbyTransportation Captain
- Julia Wilson DicksonDialect Coach
Editing
- Celia HainingFirst Assistant Editor
- Martin BrinklerAdditional Editing
- Lea MorementAssistant Editor
- Michael ParkerEditor
Lighting
- Barrie MoreRigging Gaffer
- Jimmy WilsonGaffer
- Ian FranklinBest Boy Electric
- Brian SullivanElectrician
Production
- Pippa CrossExecutive Producer
- Bob LastExecutive Producer
- Olivia StewartProducer
- Beverley SymeAssistant Location Manager
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- Gemma HancockCasting Assistant
- Neil CairnsAssistant Accountant
- Jennifer McNamaraCasting Assistant
- Mandy McKayProduction Coordinator
- Mark BennettCasting Assistant
- Tarn HarperPost Production Accountant
- Deborah Maxwell DionCasting Assistant
- Sarah LeeLocation Manager
- Louise CoulterProduction Accountant
- Julia DuffAdditional Casting
- Sonya DunwoodgeProduction Secretary
- Charles McDonaldPublicist
- Anita M. PatelPost Production Coordinator
- Suzanne Smith CrowleyCasting
- Billy HopkinsCasting
- Kerry BardenCasting
- Sarah LeeProduction Manager
- Wendy BroomProduction Manager
- Alan J. WandsCo-Producer
- Tony HoodUnit Manager
Sound
- Louis KramerSound Recordist
- Catherine HodgsonSupervising Sound Editor
- Adrian JohnstonMusic Director
- Tony CookBoom Operator
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- Heather BownassMusic Supervisor
- Terry DaviesConductor
- Stewart HendersonDialogue Editor
- Michael RedfernFoley Editor
- Ted SwanscottADR Mixer
- Ted SwanscottFoley Mixer
- Paul HamblinSound Re-Recording Mixer
Visual Effects
- John Paul DochertyVisual Effects Supervisor
- Stuart MurdochSpecial Effects Supervisor
- Susi RoperVisual Effects Producer
Trailers
Posters
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